Filmmaking and Photography Site
Driftwood Velvia 50 Chroma LUT and Final Driftwood Velvia 50 ChromaNS (Flat/Not Saturated) For V-Log or Real Time LUT sRGB version VLTs. About Velvia50: Velvia 50 was a type of color film manufactured by Fujifilm. Color saturation: Velvia 50 is known for its highly saturated colors. It produces rich and vibrant colors, making it a...
Finally! After weeks of testing here is the Apocalypse Now RC version 1.13 (version 1 to you guys) plus a beta test version of 1.14 for in camera use (vlt). When you’re grading your footage in Davinci Resolve please ensure you have the following settings setup to work with the LUTs (see pic below) I’ve...
In this LUT, I’m bringing you my classic LikePhoto LUT for you to try. It represents a similar image to the classic photo picture profiles found in Lumix cameras with the added bonus of a more intricate design and finesse and a choice of color I’ve provided from my Driftwood palettes. Here’s the LikePhotoV2 Rec709...
These may look like simple looks but its a highly tuned & balanced set of RGB LUTs for V-Log to use on your V-Log timeline to Rec709 Gamma 2.4. Each LUT is calculated to offer a nice clean subtle look without destroying other colours. They are balanced to 50% IRE from shadows to highlights...
Introducing Pastelkrome a new set of LOOKs for V-Log View Assist (all v-log supported cameras) or Real Time LUT on the Lumix S5II/X Cameras. Download link is at the bottom of this page. Pastelkrome is a crossover of pastel like colours and filmic contrast (and no contrast) in a variation of 10 different looks. Designed...
Here is my starting point node tree for Davinci Resolve 18 and settings for Davinci Wide Colour Gamut grading. I’m mainly exporting to Rec709 Gamma 2.4 (for broadcast TV) or Gamma 2.2 (for YT/web) and so most of my corrective LUTs are for Rec709, and so with this example tree lets go that route and...
Whilst out in Varna, Bulgaria I had the chance to shoot some local models and wanted to test out V-Log and produce some fashionable Beauty looks for a new series. And here they are. 12 LUTs for you to play with and Free! There are 65 size NLE LUTs for your NLE (e.g. FCPX, Premiere,...
I’ve spent a few weeks analysing film stocks of Kodachrome 64 and decided to bring my emulation to Lumix users. Matched to the tones of yore using a modern digital camera such as the Lumix S5II I wanted to see how the classic film stock responded to colour and identifying what is unique and what...
Here’s a group of V-Log .tiff still files created from video recordings in the Lumix S5II camera for you to try out your colour grading skills. Simply place them on your time line and use whatever method you choose to grade V-Log V-Gamut. Some people like a timeline of Davinci Wide Gamut Intermediate, some prefer...
When you use Davinci Resolve as your colorist NLE and Log to Rec709, be wary of using it’s CST applied to a node using the DR effects menu (and probably in Davinci Color Management too) and how it deals with V-Log footage. Here’s some graphs to show you what goes on in the color contrast...