Filmmaking and Photography Site
DOWNLOAD the FREE extended Pack on this LINK: DieHard_LUT_Pack_from_Nick_Driftwood BONUS SPECIAL FREEBIE Download my DieHard01 and Eastman 5295 Film Emulation Curve LINK: DieHard01LUT+Eastman_5295_Emu_Curve Use the DieHard01 LUT on its own node, OR with the Eastman 5295 LUT placed on a final node (before film grain node) OR use the special Combo LUT in camera (vlt...
The latest version of my Lumix S5IIX LUT (now version 3 with variations) free to download from my link:- DWD_Lumix S5II-X v3 LUT Pack S5II-X v3 LUT V-Log ‘Before and After’ example
Note: Currently shows data for Lumix S1H, S5II and S5IIX. More Cameras & Specs to be added… Use the SEARCH Entry Box below to enter variables separated by spaces – this will bring up comparisons (e.g. C4K HEVC) etc… Click any of the table headings, once or twice to sort your preferred order list! Scroll along to...
A luminance stops based False Color LUT to use with V-Log enabled cameras Showing 14+ DR of exposure values, you can use this LUT to properly expose and nail skin tones and the full scope of the luminance. Normally you would use LUMIX camera’s Luminance Stop function to judge each area of the image for...
Bit of a trial and error this one taking my Beauty LUT settings a bit further. Essentially the looks are designed for lit interiors (b, c or d versions) or daylight (use the darker ‘a’ variations). I’ve been working on these on and off for a few months. Please give them a try all...
Driftwood Velvia 50 Chroma LUT and Final Driftwood Velvia 50 ChromaNS (Flat/Not Saturated) For V-Log or Real Time LUT sRGB version VLTs. About Velvia50: Velvia 50 was a type of color film manufactured by Fujifilm. Color saturation: Velvia 50 is known for its highly saturated colors. It produces rich and vibrant colors, making it a...
Finally! After weeks of testing here is the Apocalypse Now RC version 1.13 (version 1 to you guys) plus a beta test version of 1.14 for in camera use (vlt). When you’re grading your footage in Davinci Resolve please ensure you have the following settings setup to work with the LUTs (see pic below) I’ve...
These may look like simple looks but its a highly tuned & balanced set of RGB LUTs for V-Log to use on your V-Log timeline to Rec709 Gamma 2.4. Each LUT is calculated to offer a nice clean subtle look without destroying other colours. They are balanced to 50% IRE from shadows to highlights...
Here is my starting point node tree for Davinci Resolve 18 and settings for Davinci Wide Colour Gamut grading. I’m mainly exporting to Rec709 Gamma 2.4 (for broadcast TV) or Gamma 2.2 (for YT/web) and so most of my corrective LUTs are for Rec709, and so with this example tree lets go that route and...
Whilst out in Varna, Bulgaria I had the chance to shoot some local models and wanted to test out V-Log and produce some fashionable Beauty looks for a new series. And here they are. 12 LUTs for you to play with and Free! There are 65 size NLE LUTs for your NLE (e.g. FCPX, Premiere,...