Filmmaking and Photography Site
When you use Davinci Resolve as your colorist NLE and Log to Rec709, be wary of using it’s CST applied to a node using the DR effects menu (and probably in Davinci Color Management too) and how it deals with V-Log footage. Here’s some graphs to show you what goes on in the color contrast...
A FREE Orange and Teal filmic look LUT created for V-Log to Rec709, to sRGB & to Adobe RGB. The following zip offers you a number of different stop settings too. You can use this LUT to burn in the look to your jpg photos using Real Time LUT on the LUMIX S5II/X camera or...
Here’s some free False Colour LUTs for your LUMIX (V-Log) Camera. On the S5II I suggest you use the REAL TIME LUT to quickly switch to this False Colour LUT, loading them up via the LUT Library function. I’ve also added a Arri style False Colour and Atomos style False Colour LUT inside the zip....
Today marked the launch of the fabulous new Micro Four Thirds Sensor Camera, the Panasonic LUMIX BGH1 – a truly adaptable camera system for studio live production, live multicam Inc streaming (more than 1 cam), Streaming with Genlock frame sync (very accurate better than timecode), ethernet live broadcast, VR180 (two cams)/VR360 (4 cams), B /...
https://www.youtube.com/watch?v=anWZaj4wh1Y For Panasonic Cameras with V-Log V-Gamut such as the new Lumix S1 with V-Log, GH5/S, EVA-1, Varicam. Use .cube files for your NLE and .VLT files for in-camera. Finally! Over 100 Pro filmic V-Log LUT (Look Up Tables) for your purchase. Sorry I'm charging, its taken a good few months of analysis and grading to...
Introduction As many of you will have seen, I’ve been using Panasonic’s new Full Frame Mirrorless camera, the Lumix S1, since the start of the year. This is a great camera for photographers with its 24MP FF sensor offering really good low light performance – its very clean even at 10000 ISO! But it also...