Filmmaking and Photography Site
Here’s a classic Rec709 LUT built by analysing all the Log to Rec709 Gamma 2.4 transform color and contrast from a range of top cameras (8 in all including Arri, RED, Sony, Canon, Nikon, BMD, Panasonic and Fuji) to bring you SE7EN7 LUT pack. Video Examples of SE7EN7 in Link at bottom The look is...
Download here by clicking this link: AsteroidCityLUT_ver1 UPDATE*** Download Variation 2 here: Asteroid City Variation2 Variation 2 LUT Example Variation 2 Curve Variation 1 (from the original LUT pack) below I spent a few hours recently taking a look at the look Wes Anderson’s Asteroid City film grade. So here’s the basic deconstruction...
DOWNLOAD the FREE extended Pack on this LINK: DieHard_LUT_Pack_from_Nick_Driftwood BONUS SPECIAL FREEBIE Download my DieHard01 and Eastman 5295 Film Emulation Curve LINK: DieHard01LUT+Eastman_5295_Emu_Curve Use the DieHard01 LUT on its own node, OR with the Eastman 5295 LUT placed on a final node (before film grain node) OR use the special Combo LUT in camera (vlt...
Bit of a trial and error this one taking my Beauty LUT settings a bit further. Essentially the looks are designed for lit interiors (b, c or d versions) or daylight (use the darker ‘a’ variations). I’ve been working on these on and off for a few months. Please give them a try all...
Driftwood Velvia 50 Chroma LUT and Final Driftwood Velvia 50 ChromaNS (Flat/Not Saturated) For V-Log or Real Time LUT sRGB version VLTs. About Velvia50: Velvia 50 was a type of color film manufactured by Fujifilm. Color saturation: Velvia 50 is known for its highly saturated colors. It produces rich and vibrant colors, making it a...
Whilst out in Varna, Bulgaria I had the chance to shoot some local models and wanted to test out V-Log and produce some fashionable Beauty looks for a new series. And here they are. 12 LUTs for you to play with and Free! There are 65 size NLE LUTs for your NLE (e.g. FCPX, Premiere,...
When you use Davinci Resolve as your colorist NLE and Log to Rec709, be wary of using it’s CST applied to a node using the DR effects menu (and probably in Davinci Color Management too) and how it deals with V-Log footage. Here’s some graphs to show you what goes on in the color contrast...
I’ve developed some Lumix V-Log V-Gamut to a more Canon Rec709 look as a lot of people have been commenting over the years that they’ve found it hard to match Lumix cameras with V-Log to Canon cameras. Using the popular Canon Cinema Gamut and Canon Log3, I’ve adjusted the colour science of V-Log primaries keeping...
I’m currently analysing the LUMIX S5II new sensor colour science and wanted to get your reaction on a few test LUTs with V-Log. There is an obvious lean towards Magenta in V-Log so in order to achieve better looking skin tones I have created a few test LUTs from my base S5II Technical Colour LUT....
Here’s some free False Colour LUTs for your LUMIX (V-Log) Camera. On the S5II I suggest you use the REAL TIME LUT to quickly switch to this False Colour LUT, loading them up via the LUT Library function. I’ve also added a Arri style False Colour and Atomos style False Colour LUT inside the zip....