Filmmaking and Photography Site
I love India and I love the colour look and drama of many Bollywood movies. Here’s a few fab’s I’ve been referencing whilst designing these Luts – and volume 2 is coming soon! Some favs:- Lagaan: Once Upon a Time in India, 3 idiots, Newton, Pk. Black, Naacho Naacho, Dear Zindagi, Highway, Oye Lucky! Lucky Oye!, Kahaani, My Name is Khan, Ishqiya, Gangaajal, Devdas, Sholay – watch this epic...
A luminance stops based False Color LUT to use with V-Log enabled cameras Showing 14+ DR of exposure values, you can use this LUT to properly expose and nail skin tones and the full scope of the luminance. Normally you would use LUMIX camera’s Luminance Stop function to judge each area of the image for...
Bit of a trial and error this one taking my Beauty LUT settings a bit further. Essentially the looks are designed for lit interiors (b, c or d versions) or daylight (use the darker ‘a’ variations). I’ve been working on these on and off for a few months. Please give them a try all...
Driftwood Velvia 50 Chroma LUT and Final Driftwood Velvia 50 ChromaNS (Flat/Not Saturated) For V-Log or Real Time LUT sRGB version VLTs. About Velvia50: Velvia 50 was a type of color film manufactured by Fujifilm. Color saturation: Velvia 50 is known for its highly saturated colors. It produces rich and vibrant colors, making it a...
Finally! After weeks of testing here is the Apocalypse Now RC version 1.13 (version 1 to you guys) plus a beta test version of 1.14 for in camera use (vlt). When you’re grading your footage in Davinci Resolve please ensure you have the following settings setup to work with the LUTs (see pic below) I’ve...
Introducing Pastelkrome a new set of LOOKs for V-Log View Assist (all v-log supported cameras) or Real Time LUT on the Lumix S5II/X Cameras. Download link is at the bottom of this page. Pastelkrome is a crossover of pastel like colours and filmic contrast (and no contrast) in a variation of 10 different looks. Designed...
Here is my starting point node tree for Davinci Resolve 18 and settings for Davinci Wide Colour Gamut grading. I’m mainly exporting to Rec709 Gamma 2.4 (for broadcast TV) or Gamma 2.2 (for YT/web) and so most of my corrective LUTs are for Rec709, and so with this example tree lets go that route and...
Whilst out in Varna, Bulgaria I had the chance to shoot some local models and wanted to test out V-Log and produce some fashionable Beauty looks for a new series. And here they are. 12 LUTs for you to play with and Free! There are 65 size NLE LUTs for your NLE (e.g. FCPX, Premiere,...
When you use Davinci Resolve as your colorist NLE and Log to Rec709, be wary of using it’s CST applied to a node using the DR effects menu (and probably in Davinci Color Management too) and how it deals with V-Log footage. Here’s some graphs to show you what goes on in the color contrast...
A few new additions here for FREE. The complete pack of 33 & 65 size Cinefilm LUTs 1 to 4 plus WDR and Linny LUT recreations for V-Log / Realtime Luts on the S5II. If you’re grading on NLE please grade behind these luts on another node in Davinci Resolve or earlier part of your...